{"id":1012912,"date":"2023-02-22T14:27:56","date_gmt":"2023-02-22T13:27:56","guid":{"rendered":"https:\/\/femuz.hu\/?p=1012912"},"modified":"2023-02-22T14:41:31","modified_gmt":"2023-02-22T13:41:31","slug":"freely-nadler-istvan","status":"publish","type":"post","link":"https:\/\/old.femuz.hu\/en\/freely-nadler-istvan\/","title":{"rendered":"Istv\u00e1n N\u00e1dler \u2013 Freely"},"content":{"rendered":"\n\t\t
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07. 10. 2021. \u2013 01. 09. 2022.<\/h4>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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Location:<\/p>\n

Vajda Museum<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Curator:<\/p>\n

Brigitta Muladi<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Istv\u00e1n N\u00e1dler\u2019s exhibition on the upper floor of Szentendre\u2019s Vajda Museum showcases his new graphic works from 2020\/21, ten of which, as has now become our tradition, are included in a purchasable serigraphy album published by the Ferenczy Museum Centre.
\nAs we have already observed in the artist\u2019s unique philosophical system, the cycle of prints entitled Freely \u2013 which also comprises the material presented in the 10 sheet album \u2013 constantly refers back to the artist\u2019s prior ambitions, while also pointing beyond them. In 2018, for P\u00e9ter Esterh\u00e1zy’s (2016\u2020)\u2019s volume entitled Seven Last Words, N\u00e1dler completed his visual articulation of the text. The Haydn piece taken together with Esterh\u00e1zy’s writing had already had an elemental impact on the artist, and it was at that time that, while creating the inspirations, he recognised the core of his own ambitions.<\/p>\n

One of the essential events of the Passion story, occurring \u201csomewhere between the fifth and sixth stations\u201d, is Christ\u2019s liberation from his earthly bonds, that is, from the horizontally oriented, swirling world of reality. In N\u00e1dler’s case, the departure from this sphere is facilitated by meditation, which deepens with the vertical movement of his brushes, leading the artist into the world of transcendence. Vertical gestures thus come to represent the coveted state in which, in the empty space symbolized by the white paper, the artist breaks free and is able to keep the paint, as material, in the domain of the \u201ccentre\u201d during the painting process.<\/p>\n

\u201cThe centre is the harmony that dissolves opposing forces with a unifying intention. The centre is nothing other than the harmony of the soul, that rare moment when the ego is not paying attention, not wanting. The human being is always on one or the other opposing side of this centre. My entire career as an artist has been about knowing and working with these two sides.\u201d (Istv\u00e1n N\u00e1dler) In the graphic sheets now on display, the artist unites the territories of up and down, while aiming to maintain the \u201ccentre\u201d at all times. Following his movements, the material, which behaves in various ways, tends to move densely upwards, spiralling, splashing into a cross shape, then loosening and disappearing. While working freely, dissolved in meditation, the gesture, flowing upwards like a black beam of energy, marks the direction of progress \u2013 the spiritual path to infinity.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"07. 10. 2021. \u2013 01. 09. 2022. Location: Vajda Museum Curator: Brigitta Muladi Istv\u00e1n N\u00e1dler\u2019s exhibition on the upper floor of Szentendre\u2019s Vajda Museum showcases his new graphic works from...","protected":false},"author":5,"featured_media":1009390,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[209,185],"tags":[],"class_list":["post-1012912","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exhibitions","category-exhibitions-2021"],"_links":{"self":[{"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/posts\/1012912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/comments?post=1012912"}],"version-history":[{"count":0,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/posts\/1012912\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/media\/1009390"}],"wp:attachment":[{"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/media?parent=1012912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/categories?post=1012912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.femuz.hu\/en\/wp-json\/wp\/v2\/tags?post=1012912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}